The Louvre fragments (L.80.AE.80 and L.82.AE.33) were lent to the Getty in 19 and incorporated into the reconstructed krater. Pasquier, “Nouvelles découvertes à propos du cratère d’Antée peint par Euphronios,” Revue du Louvre 1 : 3–9). Part of the foot was subsequently identified as belonging to the Antaios krater by Euphronios (Louvre G103 Abbreviation: ARV 2 J. Oxford, 1963 186.51), the other by the Berlin Painter (Louvre CA 10799 Abbreviation: ARV 2 J. By 1922, Beazley had ascertained that a nineteenth-century restorer had created this vase from fragments of two different volute-kraters-one by the Kleophrades Painter ( Abbreviation: ARV 2 J. They were once part of a volute-krater (Louvre G166) that was acquired from the Campana Collection in 1861.

The reconstructed vase includes a number of fragments on loan from the Musée du Louvre. These fragments have not as yet been identified with any dealer, donor, or collector.

Paul Getty Museum during an inventory of the storeroom. Cahn, ex Thimme” a number, 1673, in red, was removed prior to photography for the present publication other Museum documentation gives the provenance as “Swiss Market (ex Koutoulakis).” Paul Getty Museum by exchange a note states: “H.A. The following fragments have not yet been incorporated into the reconstructed vase: On the reassembly of the krater, and the inclusion of fragments from the Musée du Louvre, see below. 77.AE.11: By 1971, Nicolas Koutoulakis (Geneva, Switzerland) –1977, Gordon McLendon (Dallas, Texas) 1977, donated to the J.

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